In my continuing endeavors to soak up late nineteenth century utopian and dystopian literature, I've delved into Mary E. Bradley Lane's Mizora. This is a feminist utopia originally published serially in the Cincinnati Commercial (a newspaper) in 1880-81 and set in the earth's center. Mizora society is exclusively made up of women, who rose to control their government three thousand years ago with a reorganization following a civil war. This was not a war between the sexes but rather a conflict much like the American Civil War, to which this book in several instances seems to be a reaction. There must have been some kind of war between the sexes, but this is glossed over by simply stating that men were disposed of. Besides the feminist aspects of the utopia, the book is largely about education as a solution to humanity's problems (in particular, science and chemistry), a theme that pervades most of the utopian and dystopian works from the period that I've read.
I'm also rereading Donnelly's Caesar's Column. I think it's fair to say that this is the author's best work. I do appreciate the fact that Donnelly tried to weave a human story through the novel, rather than just spout out pontifications book-ended by "this is how the main character got to the utopian/distopian society" and "this is how the character left it," which was the case with a great deal of the similar literature from the period. In this way, it's a superior work to Bellamy's Looking Backward. The depiction in Caesar's Column of bloody revolution is also told with chilling realism, certainly the result of the then recent horrors of the Civil War and also Donnelly's recollection of the Nativist riots in Philadelphia in 1844 when he was a child. While in his writings Donnelly frequently wondered in the marvels of the human spirit, he was at heart a realist, and often a cynic when it came to human nature.
Sunday, July 26, 2009
Friday, July 24, 2009
The new MonkeyBrain Books edition of Philip José Farmer's classic alternate history novel Two Hawks from Earth arrived in the mail today. The new edition features an attractive cover illustration and design by artist Lee Moyer and a new afterword that I wrote shortly after visiting Phil for his ninety-first birthday this past January. Publisher Chris Roberson and his team really did a fantastic job with the book's production, and I hope you'll check it out!